Talking in Pictures
(2025-2026)
Impermanence

"As we move through our city, the city moves through us, weaving a tale of our collective impermanence. Millions of hearts searching, stumbling, making their way. Light and form in constant flux, our perspectives evolving with each experience, we will never walk the same road twice."- Nivedita
Through the latter half of 2024, I combined graphite and oil paint in a new series 'Impermanence' that follows the fluidity of our world across the rhythm of time. These works are a meditation on the fleeting ‘now’. They embrace all facets of the human experience, both pain and joy. They suspend the viewer in the present moment, to enjoy the beauty in the mundane... the change of seasons, the movement of sunlight through the day and the motion of life coursing through my city. I have sought to develop a visual quality that evokes nostalgia while defying any chronological categorization... Yet, the red tints, while being reminiscent of old monotone prints, are also a subtle commentary on the rose-tinted glasses of privilege.
Artworks from this series were exhibited at Gallery DTALE Archist in Feb-Mar 2025 and some were part of the Mumbai Gallery Weekend in Jan 2026.
Temporal Landscape_17
40.5"x23" (triptych), Oil paint and Graphite on Board

Temporal Landscape_13
27"x14" (diptych), Oil paint and Graphite on Board

Temporal Landscape_04
36"x12" (4 panels), Oil paint and Graphite on Board

Temporal Landscape_11
28"x18" (diptych), Oil paint and Graphite on Board

Temporal Landscape_1
69"x13" (triptych), Oilpaint on Board
Temporal Landscape_18
48"x36", Oilpaint on Board
Temporal Landscape_2
48"x9" (4 panels), Oil paint on Board
Temporal Landscape_19
84"x60", Oilpaint on Canvas
Temporal Landscape_24
18"x24", Oilpaint on Canvas
Temporal Landscape_25
18"x24", Oilpaint on Canvas
SOCIETY OF GLASS WALLS
This is a series of small oil paintings where the viewer becomes an integral part of the artwork. The viewer is the protagonist, participating as the voyeur who gazes out onto scenes that I have painstakingly reproduced…
Scenes that they may slowly realize are familiar…
Seemingly quotidian happenings that their mind had normalized…
Zooming in on hardships that their eyes darted and dodged without really seeing.
Because to see, is to witness…
to confront the truth of the systems of unequal suffering that created their privilege.
To make plain, the cognitive dissonance between their innate compassion and the suffering that their life choices perpetuate.
Sitting at a café, strolling down the lanes of an airconditioned grocery store, sheltered from the sun, shielded from the dust, elevated from the grind of those who serve. Looking out the glass panes, but never letting their eyes linger too long… lest the truth that’s right in front of them, tarnishes the beauty of their privilege.
Standing before these paintings, here, now, we go back to those seemingly mundane moments, look afresh at what we have normalized, what we may mistakenly call subtle, but is in truth, the tragic failure of a society. What was meant to be a nation of the people, by the people, for the people, stands today as a dystopian trickle-down socioeconomic system where air, water, food, shelter, clothing, and dignity are the birthright of the few.v
Society of Glass Walls
Series of small paintings, each one is 12"x12", Oilpaint on Board

















































